The brutal murder of George Floyd in Minneapolis on 25th May this year has sparked an outpouring of grief and anger which has reverberated around the world. Racism and the power structures which dictate our lives have always been there, but lockdown means that there is nowhere to hide – people cannot ignore what they are seeing on the news, in their communities and in their social circles, because there is nothing to distract them now. Lockdown is facing us to sit, be quiet, reflect and feel things which were easy to put aside before now. I am seeing far more educators in my network beginning to ask questions, to talk more openly about race and to say things which, even a few months ago, would have been far more difficult to articulate. They are beginning to see the stark realities for the students they teach and they want to know how they can help when we are back in the classroom.
This post is an extract from my latest book. It is about the ingrained power struggles which exist in language and literature and how we, as English teachers, might make changes to address them.
‘I wrote my way out of hell
I wrote my way to revolution
I was louder than the crack in the bell
And when my prayers to God were met with indifference
I picked up a pen, I wrote my own deliverance’
– ‘Hurricane’ from Hamilton by Lin-Manuel Miranda
The story of Hamilton appeals to me because it demonstrates the huge potential of the written word, whilst simultaneously highlighting the way in which the established language structures of this world create a power divide. Alexander Hamilton was born into extremely challenging circumstances on the Caribbean island of Nevis (the sister island to St Kitts where my own grandfather was born). Hamilton’s talent as a writer was recognised in his hometown and, in 1772, local merchants raised money to send him to college in New York, away from his tragic childhood and towards opportunity. He literally wrote his way out. He then went on to write his way into history as one of the Founding Fathers of the United States, and either designed or influenced many of that country’s political, financial and judicial systems. You need only look at some of his essays on the constitution (the Federalist Papers), or George Washington’s farewell address (written by Hamilton) to see the artistry in his words. The act of telling this story in the 21st century through the lens of what is, essentially, a hip-hop opera, with an all-black and minority cast, is a provocative statement about who owns words and who writes history.